Strip City: Rethinking the Meaning of the Gaza Border By N. Frankowski and C. Garcia
A wall in itself is meaningless. But instead, if that wall is charged with symbolism or with “content”, it can become the ultimate tool for change. As the most basic element of architecture, “the wall” can produce an unlimited array of possibilities. Very often used as a tool for separation, what happens when “the wall” is repurposed to “embrace” instead of excluding? What happens when the “wall” is fragmented to allow permeability? What happens when a no-man’s land is metamorphosed into a social condenser? What happens when instead of dividing East and West, it becomes a“melting pot”?
StripCity addresses the concept of the wall as a barrier, moreover rethinking the border line of the Gaza Strip. In the pictured scenario a ceaseless band of buildings is displayed along the Strip. Rectangular Blocks seem from far as a reminiscence of a continuous wall. But instead of an uninterrupted barrier, the buildings are spaced between them creating a zone for an incessant flow of creative freedom and possibilities.
The East-West conflict that used to be accentuated by a strong physical division is cancelled by the creation of transitional space. Taking as departure the point “0” that marked the separation between two territories, a new Architecture is enhanced. One that looks for the optimization of different behaviors, utilizations, and interpretations of space. Architecture in the “border zone” acts as a landscape background for a space intended to assemble differences and similarities.
As a new archaeological discovery, StripCity proposes a refreshing programmatic flexibility to its occupants. Like an oasis in the desert, people are attracted to the infinite possibilities of the space created that acts as a trait d’union between East and West. A new architecture welcomes the new comers and gratifies its inhabitants with its neutral and peaceful spaces. Common areas are displayed all over between the buildings as tangible ways of social, cultural and economic integration. Sport, health, economic and educational facilities act as enhancers of multiculturalism. Like alchemistic architecture, StripCity turns desolation into hope; a desert into an oasis. At the end a new and healthy architecture shines full of promises.
WAI Architecture Think Tank is a Workshop for Architecture Intelligentsia founded in Brussels in 2008 by architects, artists and writers Nathalie Frankowski and Cruz Garcia. Currently based in Beijing, WAI focuses on the understanding and execution of architecture through a panoramic approach, from groundbreaking theoretical texts, to critical narrative architectures, innovative publications and exhibitions, and intelligent urban and architectural projects. WAI asks What About It?
WAI Architecture Think Tank 是一个国际化的建筑实践工作室,关注城市和建筑研究。2008年于在布鲁塞尔,由来自法国的建筑师Nathalie Frankowski 和来自波多黎各的建筑师Cruz Garcia建立。目前 WAI 在北京发展。 WAI 专注对建筑全方位的理解和创作,从理念到建筑成品,建筑叙述体,楼群和城市文化环境。WAI致力于集合建筑的智慧,从卓越的建筑概念到研究项目的总规划设计, 创新的出版物。WAI是建筑知识层的孵化室, WAI 探讨 What About It ?
WAI is about foam ideas. A product of a moment in time, WAI surges when thinking is being “overlooked” and the abrasive emptiness of imagery overflow and empty foam shapes threatens to saturate the architectural domain. WAI dares to challenge foam models with foam ideas. WAI proposes a subversion of the foam. If for the Pop-Architectures of today foam is just a material to make shapes, for WAI foam is a structure that generates endless cognitive connections. Our visual world is being bombarded by a constant lack of substance. WAI proposes substance behind the images. WAI proposes substance with the images. WAI is hypothetical. WAI dares to propose. WAI embraces discussions, dialogue and arguments. WAI dares to think. WAI is a Think Tank for the contemporary City and its Architecture. WAI is a Think Tank for the contemporary Architecture and its City. More and more, more frivolity is pontificated, and less substance is produced. WAI proposes a theory of alchemism— to transform quantity into thoughts, shapes into ideas, frivolity into substance. The more that is produced the more WAI thinks. WAI worries about triviality and inquires about sophistication. WAI is a Workshop for Architecture Intelligentsia. WAI asks…What About It?
Applicants interested should submit an individual Portfolio in a pdf file (5mb max, no online links), CV and cover letter with “internship” in the subject tocontact@wai-architecture.com. Candidates should be familiar with the theoretical background of WAI, posses a very strong overall knowledge of contemporary architecture and have critical thinking skills.
Applicants should have design proficiency and good written and visual communication capabilities. WAI is a contemporary think tank of architecture, applicants should be prepared to work in an unusual environment. Students are invited to apply.
Requirements: -Proficiency in written and spoken English is a must. Chinese is a plus. -Excellent model making skills -Strong graphic and design capabilities - Design software knowledge -Critical knowledge of contemporary architecture
What About Limited Edition Prints?
Cities of the Avant-Garde Limited Edition aluminium mounted Print (80cm x 60 cm) EUR 500,00 at contact@wai-architecture.com subject: Prints
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Nathalie Frankowskiis a French Architect, Artist, and Author who graduated in 2008 from the department of Architecture, Art and Philosophy at the École Nationale Supérieure d’Architecture de Paris La Villette with a Diplome d’État d’Architecture option research. Her final project “It Feels Like Home: Chez-soi entre nature et densité” received the special mention from the jury.In 2008 she co-founded WAI a contemporary think tank for architecture and the city. Previous professional and academic experience includes international publications, research, film making, design workshops and working in Belgium, The Netherlands, France, and China.
Cruz García is a Puerto Rican Architect, Artist, and Author who graduated in 2008 from the Universidad de Puerto Rico with a Master Degree in Architecture after earning the Alpha Rho Chi Medal for outstanding leadership and the Henry Adams Medal for the Highest Degree. His research thesis about Narrative Architectures from the 1920’s to the 70’s earned him the PBDT scholarship from the main research institution in the UPR. In 2008 he co-founded WAI a contemporary think tank for architecture and the city. Previous professional and academic experience includes international publications, research, teaching, lectures, and working in Belgium, The Netherlands, Puerto Rico, USA, France, and China.
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